CHRISTO GRAHAM – Music For Horses

Beschreibung

I had a plan to record a handful of songs at my parents’ cabin over the New Year holiday at the start of 2023 but my TEAC 2340 had other ideas. This tape machine was saying “write, don’t record”… and that was a good tip. Sometimes I’m hasty with that red button and don’t have songs fully shaped before the tape is rolling. I still let that happen musically and I let the moment and the machine be the producer but lyrically, the songs on Music For Horses feel complete and really personal. Which is why I like to think it’s for horses because I didn’t want to be aspiring to anyone else’s standard or taste but my own… so if people don’t like it, it’s really a win-win because they get to say it’s not for them and I get to say I told you so.

Music For Horses is a bit of a return to my 2020 record Turnin’s sensibilities. I had written those songs over a year and recorded them all to tape within a month and I did a similar thing with these songs. When you’re working in rep theatre and have a matinee in the afternoon before you rehearse for a different show at night, your time is very limited. I had a drum kit and my recording setup stashed under a blanket in an 115-year-old classroom-turned-rehearsal hall and would sneak in there to record late at night or on a day off. It’s also a return of sorts because during the isolation of this past pandemic I wrote and recorded two other albums that may or may not see the light of day… one was about astral projection and the other is a rock opera about the Toronto Circus Riot of 1855. I’ve never really left songs behind— I know it’s normal to have songs that never surface but it’s not how I usually work. I usually record everything I write and find a spot for it on an album so this feels a bit like I’m getting back on that horse, as it were. Just getting music out into the animal kingdom.

Last year, I was doing a play called Grand Magic by Italian playwright and poet Eduardo di Filippo, so we were working a lot with the Italian-English translation and this inspired a lot of the tongue-in-cheek wordplay on the record. Some sentiments don’t make their way across the translation divide or if they do they have a twist. A single word can be like a prism of meaning so I had fun playing with that in my lyrics.

“So many things keepin things keepin other things to / feet keepin time and I’m keepin fine keepin time with you / keep in mind I’m not talkin about keepin you / from anythin”

I tend to start with memories— moments that are fond or not-so and then play around with how it makes me feel to be remembering and writing about it. Every song gets a little meta at some point as it zooms out of the memory and onto the page.

On a side note, I also had a surgery at the end of 2022 that removed a nickel-sized bone spur that had ossified inside my nose. I haven’t been able to breath through my nose for as long as I can remember. I also haven’t been able to hum. I’m very excited to share some of my first ever humming on this record. I hope you enjoy.

Christo